I don’t wish to be all braggy, but I’m so excited about NOT missing yet another interesting and potentially exciting exhibition in London! I shall be there sometime in early February, which means I shall be able to report to you on the loveliness, I’m hoping, of this new exhibition opening at the British Library in November –
I have just received the latest e-newsletter from the Society of Antiquaries of London and am dismayed to read of the losses to our cultural heritage that are being threatened by so-called progress. I am doing a cut and paste job directly from the e-newsletter here and I do hope those of you in the UK can spread the word and get active in your defence of the Smithfield Markets and Prince Henry’s Room.
Smithfield Markets under threat
“As many Salon readers are surely aware, SAVE Britain’s Heritage thought it had achieved an important victory when consent to demolish the General Market, Fish Market and Red House at London’s Smithfield Market was turned down after a planning inquiry in 2008. Communities Secretary Hazel Blears stated at the time that these buildings made a significant contribution to the character and appearance of Farringdon and the surrounding area. Our Fellow Adam Wilkinson, who led the four-year ‘don’t butcher Smithfield’ campaign for SAVE, looked forward to these characterful buildings playing a central role in a Covent Garden-style revival of Smithfield. Imagine SAVE’s distress then when the new plans that emerged for the site in October 2012 proved to be just as potentially destructive of the existing structures as the rejected plans.
The new plans involve what Clem Cecil of SAVE calls a ‘scoop-out job’; that is to say, retaining the three facades that line the edges of the site, but demolishing all the buildings behind (shown in red above) to create what the architects describe as ‘low-rise pavilions’ to accommodate new office space.
Architecture critic Oliver Wainwright says the new scheme (see above) ‘will leave only a flimsy skin of heritage, a picturesque skirt of Victoriana around the base of yet another slab of generic commercial development’.
SAVE has put out an appeal to everyone who cares about these buildings and wants to see them preserved to write ‘a strong note of objection to the Corporation of London, addressed to planning officer Gemma Delves, quoting planning application numbers 13/00150/FULEIA, 13/00155/LBC and 13/00156/CAC’.
The main grounds for objection are that the proposal entails the loss of a major landmark building, including its splendid market halls and roofs; will cause substantial harm to the Smithfield conservation area and surrounding conservation areas, as well as to the adjacent Grade II* listed Meat Market and Grade II listed Poultry Market; that important views will be lost, including those from the Holborn Viaduct; that the buildings have never been market tested (as recommended by the Planning Inspector’s Report following the Public Inquiry in 2008) to estbalish that they are needed; that there is an alternative conservation-led scheme for the site backed up by a viable business plan; that there is no convincing justification for demolition (the National Planning Framework paragraph 132 says that ‘Heritage assets are irreplaceable, any harm or loss should require convincing justification); and that the condition of the buildings, which have been deliberately neglected, is not a justification for demolition (‘Where there is evidence of deliberate neglect of or damage to a heritage asset the deteriorated state of the heritage asset should not be taken into account in any decision’: National Planning Framework paragraph 132).
Our Fellow Marcus Binney, President of SAVE, says that in his view ‘this will be the worst mutilation of Victorian buildings in thirty years’. For further information and images, see SAVE’s website and its Facebook page.
Prince Henry’s Room
Our Fellows Paula Henderson and Claire Gapper write to say that: ‘The small half-timber gateway to Inner Temple at 17 Fleet Street is a remarkable survival of the Great Fire of 1666. The room on the first floor is known as Prince Henry’s Room because of the Prince of Wales feathers and the initials “P H” featured in its exceptionally fine plasterwork ceiling. The building certainly dates to the early years of the seventeenth century. In 1969 the care of Prince Henry’s Room was transferred from the Greater London Council to the Corporation of London, which opened it to the public. An exhibition on Samuel Pepys was installed; Pepys was born not far away and spent many happy hours “drinking and singing” in the room, when it was known as the Fountain Tavern.
‘In December 2012, the Corporation’s Culture Heritage and Libraries Committee declared the room “surplus” and transferred its care to its Property Investment Group, which is actively seeking a tenant. In recent correspondence to us they wrote that the room is no longer available for cultural purposes and that they do not have the financial resources to facilitate visits. Surely whatever rent they could get for this small room could not possibly be as important as the good will that is engendered by making it accessible to those who wish to see an all-too-rare relic of early Stuart life amidst a sea of commercial development.
‘Along with other interested parties (including the Samuel Pepys Club, who paid for the restoration of the room and who have used it for recitals, readings and other events related to seventeenth-century London), we are hoping to convince the Corporation that this room should be made available to interested, scholarly groups at least on an occasional basis. If any Fellows have suggestions or would like to join our campaign, please let us know.’”
The copy in this post is taken directly from the e-newsletter of the Society of Antiquaries of London, Salon (issue 298, 13 May 2013) and has been shared by the author of this blog in the interest of saving the cultural heritage of the UK for the enjoyment and pleasure of future generations of Anglophiles like herself.